The song was recorded by Deep River Boys in Oslo on September 26, 1960.It is included in some seders in the United States, and is printed in Meyer Levin's An Israel Haggadah for Passover.It is one of the five spirituals included in the oratorio A Child of Our Time, first performed in 1944, by the English classical composer Michael Tippett (1905–98).The song has since become a jazz standard, having been recorded by Grant Green, Fats Waller, Archie Shepp, Hampton Hawes and many others.

It was recorded by Doris Akers and the Sky Pilot Choir.On February 7, 1958, the song was recorded in New York City and sung by Louis Armstrong with Sy Oliver's Orchestra.The song was made famous by Paul Robeson whose deep voice was said by Robert O'Meally to have assumed 'the might and authority of God.'.In Margaret Mitchell's 1936 novel Gone with the Wind, enslaved people from the Georgia plantation Tara are in Atlanta, to dig breastworks for the soldiers, and they sing 'Go Down, Moses' as they march down a street.Djuna Barnes, in her 1936 novel Nightwood, titled a chapter 'Go Down, Matthew' as an allusion to the song's title.William Faulkner titled his 1942 short-story collection Go Down, Moses after the song.The song was originally published as Original Soundtrack and is listed in IMDb. The teen comedy film Easy A (2010) remixed this song with a fast guitar and beats.and Oleg Menshikov, who play the two main characters in Sergei Bodrov's film Кавказский пленник (1996 Prisoner of the Mountains) dance to the Louis Armstrong version. A reference is made to the song in the film Ferris Bueller's Day Off (1986), when a bedridden Cameron Frye sings, 'When Cameron was in Egypt's land, let my Cameron go'.Gregory Miller (played by Sidney Poitier) sang the song in the film Blackboard Jungle (1955).Jess Lee Brooks sings it in Preston Sturges' film Sullivan's Travels (1941).Sung by marching negro soldiers off to fight the Yankees in film Gone with the Wind (1939). Al Jolson sings it in Alan Crosland' film Big Boy (1930).

Please relocate any relevant information into other sections or articles. This section contains a list of miscellaneous information. The opening verse, as recorded by Lockwood, is: Furthermore, the original version of the song sung by enslaved people almost definitely sounded very different from what Lockwood transcribed by ear, especially following an arrangement by a person who had never before heard the song as it was originally sung. However, the song was not included in Slave Songs of the United States, despite its being a very prominent spiritual among enslaved people. Lockwood, chaplain of the Contrabands, stated in the sheet music that the song was from Virginia, dating from about 1853. Sheet music was soon after published titled 'Oh! Let My People Go: The Song of the Contrabands', arranged by Horace Waters. While visiting Fortress Monroe in 1861, he heard runaway enslaved people singing this song, transcribed what he heard, and eventually published it in the National Anti-Slavery Standard. This became the first spiritual to be recorded in sheet music that is known of, by Reverend Lewis Lockwood. White people who reported on the song presumed it was composed by them. Īlthough usually thought of as a spiritual, the earliest written record of the song was as a rallying anthem for the Contrabands at Fort Monroe sometime before July 1862. In the context of American slavery, this ancient sense of 'down' converged with the concept of 'down the river' (the Mississippi), where enslaved people's conditions were notoriously worse, a situation which led to the idiom 'sell down the river' in present-day English. Going 'down' to Egypt is derived from the Bible the Old Testament recognizes the Nile Valley as lower than Jerusalem and the Promised Land thus, going to Egypt means going 'down' while going away from Egypt is 'up'. The song also makes references to the Jordan River, which was often referred to in spirituals that described finally reaching freedom because such an act of running away often involved crossing one or more rivers.

For enslaved African Americans, the story was very powerful because they could relate to the experiences of Moses and the Israelites who were enslaved by the pharaoh, representing the enslavers, and it holds the hopeful message that God will help those who are persecuted. The lyrics of the song represent liberation of the ancient Jewish people from Egyptian slavery, a story recounted in the Old Testament.

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